The Development of Embroidery in America

"The Development of Embroidery in America" by Candace Wheeler is a historical account written in the early 20th century." The book explores the intricate evolution of embroidery in America, tracing its origins from the earliest days of settlement to the practices and styles that emerged across different cultures within America. With a focus on various techniques such as crewelwork, samplers, and Indian quillwork, it showcases the functional and artistic dimensions of needlework as a vital part of domestic life. "At the start of the book, the author introduces the historical significance of the needle and its role in shaping domestic life throughout the ages." The opening discusses how embroidery, beginning with Eve in the Garden of Eden, has been woven into the fabric of women's lives and society, illustrating its impact on culture and civilization. Wheeler reflects on the evolution of needlework as influenced by early American settlers, including the influence of Native American techniques, and highlights the artistry involved in capturing beauty from scant resources. The first chapters lay the groundwork for the detailed exploration of distinctive embroidery styles developed by different American communities, setting an engaging tone for a deeper examination of the art form. (This is an automatically generated summary.)

Candace Wheeler, traditionally credited as the mother of interior design, was one of America's first woman interior and textile designers. She helped open the field of interior design to women, supported craftswomen, and promoted American design reform. A committed feminist, she intentionally employed women and encouraged their education, especially in the fine and applied arts, and fostered home industries for rural women. She also did editorial work and wrote several books and many articles, encompassing fiction, semi-fiction and non-fiction, for adults and children. She used her exceptional organizational skills to co-found both the Society of Decorative Art in New York City (1877) and the New York Exchange for Women's Work (1878); and she partnered with Louis Comfort Tiffany and others in designing interiors, specializing in textiles (1879-1883), then founded her own firm, The Associated Artists (1883-1907).