War Brides: A Play in One Act

"War Brides: A Play in One Act" by Marion Craig Wentworth is a dramatic play written in the early 20th century, specifically around the time of World War I. This one-act play explores the emotional and social implications of war on women, particularly focusing on the concept of "war brides," women who marry soldiers as an act of patriotism. The narrative unfolds in a war-ridden country, reflecting the tension and sacrifices made during this tumultuous period. The play centers on Amelia, a young woman faced with the societal pressures to marry a soldier, Hans Hoffman, while grappling with her desire to serve as a nurse at the front. Her sister, Hedwig, vehemently opposes the idea of becoming a "war bride" and voices her strong objections against the war's brutalities. The characters navigate their fears and hopes as they confront the loss of family members, the expectations placed upon them by society, and the reality of war's consequences. Hedwig's ultimate tragic decision highlights the struggle between duty to one’s country and the fundamental desire for love, peace, and self-determination, culminating in a powerful statement on the feminine experience during wartime. (This is an automatically generated summary.)

Marion Craig Wentworth (1872–1942) was an American playwright, poet, and suffragist. She is best known for her feminist anti-war play, War Brides, which was made into a silent film starring Alla Nazimova in 1916.