"Memoirs of the Court of Louis XIV. and of the Regency — Volume 04" by Orléans is a historical account thought to have been written in the early 18th century. This volume delves into intriguing anecdotes and detailed observations from the extravagant court life during the reign of Louis XIV and the subsequent regency, providing a vivid portrayal of the personalities and intrigues that characterized this era. At the start of the memoirs, readers are introduced to a series of notable figures, including Victor Amadeus II of Sicily and the Grand Duchess of Florence. The narrative captures the reflects the complexities of their relationships, from the King’s quarrels with his mistresses to the Grand Duchess's yearning to escape her marital confines. The author, Madame Elizabeth-Charlotte of Bavaria, offers candid insights into courtly dynamics, such as jealousy, devotion, and ambition, particularly highlighting her observations on her family's affairs and the colorful personalities that populated the royal circles, effectively setting the stage for a captivating exploration of 18th-century French court life. (This is an automatically generated summary.)
Memoirs of the Court of Louis XIV. and of the Regency — Volume 04
By Charlotte-Elisabeth Orléans
"Memoirs of the Court of Louis XIV. and of the Regency — Volume 04" by Orléans is a historical account thought to have been written in the early 18th ...
Madame Elizabeth Charlotte, Duchess of Orléans, also known as Liselotte von der Pfalz, was a German member of the House of Wittelsbach who married into the French royal family. She was the second wife of Monsieur Philippe I, Duke of Orléans. By Philippe, Liselotte was the mother of Philippe II, Duke of Orléans, and Élisabeth Charlotte, Duchess of Lorraine. Philippe II was France's ruler during the Regency. Liselotte gained literary and historical importance primarily through preservation of her correspondence, which is of great cultural and historical value due to her sometimes very blunt descriptions of French court life and is today one of the best-known German-language texts of the Baroque period.