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Songs of Innocence and of Experience

By William Blake

(3.5 stars) • 10 reviews

"Songs of Innocence and of Experience" by William Blake is a collection of poetry created during the late 18th century to early 19th century, a period...

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Released
1999-10-01
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Overview

"Songs of Innocence and of Experience" by William Blake is a collection of poetry created during the late 18th century to early 19th century, a period marked by the Romantic movement. This dual collection explores themes of childhood, nature, spirituality, and the contrast between innocence and experience. Each section—Innocence and Experience—delivers its own unique perspective, providing a rich tapestry of human emotion and philosophy. The poems within "Songs of Innocence" reflect an idealized vision of childhood, depicting a world of wonder, joy, and a deep connection to nature and God. They feature characters such as the innocent Lamb and the cheerful shepherd, evoking a sense of peace and simplicity. Conversely, "Songs of Experience" presents a stark contrast, addressing themes of suffering, societal issues, and the complexities of adult life. It includes haunting pieces like "The Chimney-Sweeper" and the powerful "The Tiger," which question existence and morality. Together, these sections provide a profound commentary on the human condition, from the purity of youth to the harsh realities of life. (This is an automatically generated summary.)

About the Author

William Blake was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake has become a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his "prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God", or "human existence itself".

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