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Twenty-Seven Drawings by William Blake Being Illustrations for Paradise Lost, Comus, and the Bible

By William Blake

(3.5 stars) • 10 reviews

"Twenty-Seven Drawings by William Blake" by William Blake is a collection of artistic illustrations created during the late 18th to early 19th century...

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2021-01-23
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Overview

"Twenty-Seven Drawings by William Blake" by William Blake is a collection of artistic illustrations created during the late 18th to early 19th century. This book features Blake’s captivating drawings that serve as illustrations for classic literary works such as "Paradise Lost," "Comus," and various biblical themes. It highlights Blake's unique ability to merge poetry and visual art, contributing richly to the understanding of these literary masterpieces through artistry. The book includes a compilation of illustrations that depict key moments from "Paradise Lost," including the creation of Eve, the temptation of Adam and Eve, and the expulsion from Eden. It also features scenes from Milton's "Comus," showcasing characters like Comus himself and the enchanting struggles of his captives. Additionally, illustrations inspired by biblical narratives are presented, such as "David and Goliath" and "The Woman Taken in Adultery," among others. Each drawing captures the emotional and spiritual essence of the stories, providing readers with both visual stimulation and deeper insight into the thematic elements of the texts they accompany. (This is an automatically generated summary.)

About the Author

William Blake was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake has become a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his "prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God", or "human existence itself".

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