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Madeleine: One of Love's Jansenists

By Hope Mirrlees

(3.5 stars) • 10 reviews

"Madeleine: One of Love's Jansenists" by Hope Mirrlees is a novel written in the early 20th century. The story is set in the middle of the 17th centur...

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2021-07-26
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Overview

"Madeleine: One of Love's Jansenists" by Hope Mirrlees is a novel written in the early 20th century. The story is set in the middle of the 17th century and follows the life of Madeleine Troqueville, a young girl navigating her desires, family expectations, and societal conventions in Paris. Central to the narrative is Madeleine's internal conflict as she grapples with her romantic aspirations and her philosophical inclinations toward Jansenism, which is significantly entwined with her character arc and interactions. At the start of the novel, we are introduced to the Troqueville family, who have recently relocated from Lyons to Paris, driven by the father's ambition to reclaim his place in the legal arena. The family dynamic, especially the relationship between Madeleine and her mother, hints at both love and tension over Madeleine's pursuits. She yearns to connect with influential figures in Parisian society, particularly the renowned Mademoiselle de Scudéry and Madame de Rambouillet. This longing is complicated by her youthful inexperience and philosophical musings, leading to moments of both drama and humor, particularly during the dinner at Madame Pilou’s, where she is faced with social complexities that reflect her broader quest for meaning and acceptance. The beginning sets the stage for a rich exploration of love, identity, and the artistic struggles of Madeleine as she seeks to carve her own path amid the constraints of her world. (This is an automatically generated summary.)

About the Author

(Helen) Hope Mirrlees was a British poet, novelist and translator. She is best known for the 1926 Lud-in-the-Mist, an influential fantasy novel, and for Paris: A Poem (1920), an experimental poem published by Virginia and Leonard Woolf's Hogarth Press, which critic Julia Briggs deemed "modernism's lost masterpiece, a work of extraordinary energy and intensity, scope and ambition."

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