The Counterplot

"The Counterplot" by Hope Mirrlees is a novel written in the early 20th century. The story revolves around Teresa Lane, who grapples with the complexities of her family's dynamics while observing life unfold around her. In seeking peace for her troubled mind, Teresa embarks on the creative journey of transforming her experiences and subconscious into a dramatic work set in a Spanish convent during the fourteenth century. The opening of the novel introduces Teresa as she reflects on her surroundings—specifically the garden of Plasencia, her family's home—and her feelings about the details of life that often elude representation. The narrative captures a late afternoon as Teresa interacts with her family, notably her mother, the Doña, and her sister, Concha. The conversations are laced with irony and subtle tension, revealing the distinct personalities within the family and their relationships. As Teresa contemplates her mother’s criticisms and her own artistic ambitions, the stage is set for a story that intertwines personal aspirations with the broader themes of family and the nature of art. (This is an automatically generated summary.)

(Helen) Hope Mirrlees was a British poet, novelist and translator. She is best known for the 1926 Lud-in-the-Mist, an influential fantasy novel, and for Paris: A Poem (1920), an experimental poem published by Virginia and Leonard Woolf's Hogarth Press, which critic Julia Briggs deemed "modernism's lost masterpiece, a work of extraordinary energy and intensity, scope and ambition."