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The Female Quixote; or, The Adventures of Arabella, v. 1-2

By Charlotte Lennox

(3.5 stars) • 10 reviews

"The Female Quixote; or, The Adventures of Arabella" by Charlotte Lennox is a novel written in the early 18th century. The story follows Arabella, a y...

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2015-09-25
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Overview

"The Female Quixote; or, The Adventures of Arabella" by Charlotte Lennox is a novel written in the early 18th century. The story follows Arabella, a young woman whose romantic notions, influenced by the romances she reads, lead her to engage in various misinterpretations and misunderstandings about love and courtship. The narrative offers a satirical exploration of female desire and social expectations through Arabella's unrealistic expectations from romance and her interactions with the men around her, including her cousin, Mr. Glanville. At the start of the novel, the reader is introduced to Arabella, raised in isolation by her father, the Marquis, after the death of her mother. The opening chapters describe her sheltered life, her beauty, and the excessive romantic ideals fed to her by her novels, leading to her belief in overdramatic romantic scenarios. Arabella's first encounter with Mr. Hervey at church sparks her imagination, leading her to mistakenly believe he is an admirer destined to seek her hand. As her father plans to marry her off to her cousin Glanville, Arabella's confusion about love and societal norms unfolds through her comical interactions with both men and her reckless insistence on adhering to the conventions portrayed in her beloved books. (This is an automatically generated summary.)

About the Author

Charlotte Lennox, née Ramsay, was a Scottish author and a literary and cultural critic, whose publishing career flourished in London. Best known for her novel The Female Quixote (1752), she was frequently praised for her genius and literary skill. As a result, Sir Joshua Reynolds painted her portrait and she was featured in "The Nine Living Muses of Great Britain" in 1778. Samuel Johnson declared her superior to all other female writers, and Henry Fielding said that she "excelled Cervantes." Her pioneering study of Shakespeare's source material is still cited and her magazine (1760–1761) is the focus of "The Lady's Museum Project."

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